贵州美术馆坚持“立足贵州，面向全国，放眼世界”的理念，以“请进来，走出去”的模式积极开展国际文化艺术交流活动。经过一年多精心筹备，拟在2023年6月16日—8月27日举办“格物·开新——中日韩当代艺术展”，向观众呈现一场东方当代艺术的视觉盛宴。展览将邀请中日韩三国具有影响力的艺术家参与，以当代艺术为媒介，相互交流互鉴、取长补短，以“格物”之艺术精神，“开”东方当代艺术之“新面”，展现丰富的艺术语言和时代魅力，为构建亚洲艺术文明共同体和促进东方美学的共同进步作出积极贡献。

The Guizhou Art Museum adheres to the concept of "establish itself in Guizhou and move towards the world" and actively carries out international cultural and artistic exchange activities through the model of "inviting in and going out". After more than a year of careful preparation, it is planned to hold the "Thinking·Innovation-Chinese&Japanese&South Korean Contemporary Art Exhibition" from June 16 to August 27, 2023, presenting a visual feast of contemporary Eastern art to the audience. The exhibition will invite influential artists from China, Japan and South Korea. Regarding contemporary art as the language, they can exchange and learn from each other, "open up" the "new face" of oriental contemporary art with the artistic spirit of "Thinking(Gewu)", show the rich artistic language and the charm of the times, and make positive contributions to the construction of an Asian art civilization community and the common progress of oriental aesthetics.

展览将展出作品166件（中国68件、日本69件、韩国29件），以架上绘画作品为主。中国艺术家以特邀名家与各大美院教师为主，日本艺术家以日本著名的“日展”“院展”“创画展”中的委员为主，其中的青年艺术家以“东山魁夷纪念日经日本画赏”“上野森美术馆展”“雪梁舍美术馆佛罗伦萨展”“FACE 展”中的获奖与入选者为主，韩国艺术家以高校教师与新锐青年艺术家为主。展览内容丰富有趣，兼具诗意与哲理，引领娱乐消费时代的观众，以轻松、愉悦的方式感受日本艺术的童趣与装饰美，韩国艺术的明丽与感性，中国艺术的精深与创新。透过作品内容、形式所表达的中日韩三国人文与艺术范式特征、艺术家视点、想象意图，将不同社会因素和文脉作用下同地缘范畴艺术同体的东方意蕴推广于众，展现了中日韩当代艺术“格物”精神之魅力。

166 works will be showcased in this exhibition , including 68 works in China, 69 in Japan, and 29 in South Korea. The main focus is on easel paintings. Among them, Chinese exhibitors are mainly specially invited Chinese masters and teachers from major art academies, while Japanese exhibitors are mainly members of the three most famous exhibition groups, namely "Japan Exhibition", "Japan Academy Exhibition", and "Japan Art Exhibition". The young artists from Japan are mainly award-winning and selected authors in the "Higashiyama Kaii Memorial Nikkei Nihonga Grand Prize", "the Ueno Royal Museum Grand Prize Exhibition", "Setsuryosha Firenze Prize Exhibition", and "FACE Exhibition". The Korean exhibitors are mainly university teachers and emerging young artists.The exhibition is plentiful and interesting, with both poetry and philosophy, leading audiences in the era of entertainment consumption to experience the childishness and decoration beauty of Japanese art in a relaxed and joyful way, the brightness and sensibility of Korean art, and the depth and innovation of Chinese art. Through the cultural and artistic paradigms, artist perspectives, and imaginative intentions expressed in the content and form of the works from three countries, the exhibition not only promotes the Eastern connotations of art in the same geographical category under the influence of different social factors and cultural context, but also showcases the charm of "Gewu spirit"of contemporary art in China, Japan, and South Korea.